The artwork is a new piece by the artist that explores the idea of 'freedom' from a unique perspective. Through her different view, the artist views the fruit depicted in the work as erotic objects, even though they are only sweet things that make one lick their lips. She depicts life in vivid hues regarding the things that keep it rich, free, sexy, and cosy, challenging the expectations of others.  

아투(Artue)는 동시대 예술 현장의 역동성을 자양분으로 삼은 역량 있는 예술가들의 작품을 엄선하여 생동감 넘치는 미술의 본질을 세계에 알리는 데 헌신하고 있습니다. 예술가들을 위한 플랫폼 구축은 갤러리, 컬렉터 및 미술 애호가들을 연결해 지리적, 물리적 경계를 넘어선 총체적 경험을 제공하려는 아투의 핵심 미션과 연결됩니다. 아투를 통해 매력적인 미술의 세계를 발견하고 그 어디에서도 만날 수 없는 기회를 경험해 보시기 바랍니다. 

Artue is dedicated to bringing the vibrant essence of art to the world stage, presenting a curated selection of works by talented artists who embody dynamic contemporary scenes. By creating a platform for these artists, we foster connections among galleries, collectors, and art enthusiasts, offering an immersive experience that transcends geographical boundaries. Discover the captivating world of contemporary art through Artue and unlock unparalleled opportunities for growth, exposure, and success. Join us in celebrating the diverse and remarkable contributions of artists to the global art community.

Artue - Korea

Isn't it sweet?

“Mooood triplet” is a new piece by the artist who interacts actively with fashion brands, broadcasting, and products, and it features amusing triplets of candles. The playful eyes facing the audience beyond the screen create both an inviting and alluring mood. In addition to philosophy of the artist's work, which utilizes a unique language that does not flow in the direction anticipated by the audience, the vivid colors and expressions on the background of the irregular pen sketch stimulate the interest of the audience.  

Mooood triplet

“A thing that disappears suddenly and appears again” is a new piece by the artist, and the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

A thing that disappears suddenly and appears again

“Calming scenery” is a new piece by the artist, and the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Calming scenery

“Pretty soft exterior” is a new piece by the artist, and the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Pretty soft exterior

“Approaching rubbing sound” is a new piece by the artist, and the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Approaching rubbing sound

“We must see a rainbow!” expresses the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

We must see a rainbow!

“Morning has dawned” expresses the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Morning has dawned

“Standing at attention to everything” is a new piece by the artist, and the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Standing at attention to everything

“A peaceful land” expresses the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

A peaceful land

“Passing through the silent air” is a new piece by the artist, and the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Passing through the silent air

“We are repeating this situation” expresses the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

We are repeating this situation

“Cave in a cave” expresses the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Cave in a cave

“Shouting in silence” is a new piece by the artist, and the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Shouting in silence

“Living in an exposed place” expresses the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Living in an exposed place

“Loud as it was a lie” is a new piece by the artist, and the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Loud as It was a Lie

The artwork is a new piece by the artist, and its warm, bright yellow and ivory color, similar to that of Abang’s style, is catching people’s eyesight. The imperfect movements of girls who learning ballet for the first time are not perfect, but they do maintain their cheerful expressions of struggle and create an overall joyful mood. Her catchphrase, ‘pleasant, witty, and romantic’, expresses the artist’s desire to be remembered as colorful and warm as the season when flowers are in full bloom, despite hardship.

Frances Ha

“Area that Is Not Invaded” is a new piece by the artist, and the change in perspective that reproduces the insect's sight is resurrected as dreamlike and uncanny images that transcend both flat and three-dimensional space. The artist works in a manner that composes a short story with curiosity about mundane life. The artist represents the moment when all scenes become unstable by imagining the vision of insects that are repeatedly the creation and extinction. In this process, she investigates the physical properties and brushwork of materials and attempts various visual experiments by dividing the canvas surface in organic relation. Through the unfamiliar perception of familiar materials and the alteration and exaggeration of unique hues and shapes, the audience might perceive the object of their gaze as an active component of the environment. 

Area that Is Not Invaded

Abang is regarded as one of the most famous artists for her unique and romantic depiction of us enjoying the modern day, which she achieves by using vibrant colours to reveal the mysterious line between daily life and the non-daily. After receiving a master's degree in illustration from London's Kingston University, she began to paint free-living individuals in vivid colours. Based on the catchphrase “Fun, Witty, and Romantic”, she is currently operating her own brand of design products called “My Real Abang,” including graphics for numerous periodicals, webzines, and album covers. Abang explores “things that keep my life rich, free, sexy and warm” throughout her works, and is actively collaborating with worldwide brands such as Spotify and Valentino, as well as broadcasting, product, and fashion firms to develop an 'Abang-like' style. 

Ultra-Contemporary

AhHyeon Lee materializes the unreal world created from the perspective of insects into physical space. After receiving her bachelor's degree in Painting from Kyung Hee University, she continued a master's degree in Painting at a graduate institution. She has communicated with the public through her works with shifting gaze and dreamlike colours that transcend the two-dimensional and three-dimensional since her graduation. The artist began her work by considering the invisible or unrecognized vision in today's visual environment and raises the issue of the incompleteness of 'seeing' as we perceive its contents. She eliminates the human subject and creates a symbolic representation of the insect's gaze through painting, crossing the tension that results from the world of insects being repeatedly created and destroyed by others, as well as the feelings of disgust and dread of insects from a human perspective. In her investigation of insect traces, she examined and experimented with the physical characteristics of mediums and invited viewers to enter an imaginary environment.

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